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The Anthems and Occasions arrangements are designed to be used from four players upwards. Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd comet, solo and 1st horn adhere to the alto part; similarly the 2nd horn and 1st baritone to the tenor part (Lest this should appear to leave the tenor line weak, it should be noted that in the main this is strengthened by baritone and tenor trombone in such a way as to ensure the balance of alto and tenor lines with a normal complement). The euphonium is independent but usually doubles either the melody or the bass.
It will be seen that the correct choice of instruments, e.g. solo cornet, 1st and 2nd horn, Eb. bass will provide a four - part balance. Apart from plain utility, imaginative conductors will realise the potentiality of contrasted groups which will rest sections of the band in longer items and also provide changes of tone colour.
Contents :
ANTHEMS
01. God Save the Queen (Britain) 16th or 17th Century 02. Land of my Fathers (Wales) James James 03. The Flower of Scotland (Scotland) Roy Williams 04. La Marseillaise (France) Claude-Joseph Rouget de Lisle 05. Deutschlandlied (Germany) Joseph Haydn 06. Willhelmus van Nassouwe (Netherlands) Adrian Valerius 07. Schweizer Psalm (Switzerland) Father Alberig Zwyssig 08. The Star-Spangled Banner (USA) John Stafford Smith 09. Oh Canada! (Canada) Calixa Lavalle 10. Ja, vi Elsker Dette Landet (Norway) Richard Nordraak 11. De er et Yndigt Land (Denmark) Hans Ernst Krøver 12. Advance Australia Fair (Australia) Peter Dodds McCormick 13. God Defend New Zealand (New Zealand) John J. Woods 14. The Londonderry Air Traditional 15. How Great Thou Art Stuart Hine
WEDDINGS 16. Bridal Chorus (Here Comes the Bride) from ‘Lohengrin’ by Richard Wagner 17. Trumpet Voluntary ‘Prince of Demark’s March’ by Jeremiah Clarke 18. See, The Conquering Hero Comes from Judas Maccabaeus’ by George Frederick Handel 19. Prelude from Te Deum by Marc-Antoine Charpentier 20. Arrival of the Queen of Sheba from ‘Solomon’ by George Frederick Handel 21. Ave Maria by Franz Schubert 22. Pachelbel’s Canon by Johann Pachelbel 23. Panis Angelicus by Cesar Frank 24. Bach Air in D by Johann Sebastian Bachfrom ‘Suite No.3 in D’ 25. Ode to Joy by Ludwig van Beethovenfrom ‘Symmphony No. 9 - the Choral’ 26. Wedding March from ‘A Midsummer Nights Dream by Ludwig van Beethoven’ 27. La Rejouissance from Music for the Royal Fireworks by George Frederick Handel 28. Alla Hornpipe from the ‘Water Music’ George Frederick Handel 29. Hallelujah Chorus from the Messiah’ George Frederick Handel
FUNERALS 30. Albinoni’s Adagio by Tomas Giovanni Albinoni 31. Amazing Grace - Traditional 32. Ave Verum Corpus by Wolfgang Amadeus Mozart 33. Largo from the ‘New World Symphony by Antonin Dvorak 34. Nimrod .from the ‘Enigma Variations’ by Edward Elgar 35. Lord of all Hopefulness (Slane) – Irish Traditional 36. Abide with Me (Eventide) by William Monk 37. The Day Thou Gayest (St. Clement) by Clement Schofield 38. (a) The Last Post, (b) Reveille, (c) The Rouse,(d) Taps (U.S.) 39, Dear Lord and Father of Mankind (Repton) by Hubert Parry
CHRISTMAS/NEW YEAR
40. Auld Lang Syne - Traditional 41. We Wish You a Merry Christmas - Traditional 42. Jingle Bells by James Lord Piepont 43. Joy to the World by George Frederick Handel
LAST NIGHT OF THE PROMS 44. Land of Hope and Glory from ‘Pomp & Circumstance No. 1 by Edward Elgar 45. Jerusalem by Hubert Parry 46. I Vow to Thee My Country (Thaxted) – Gustav Holst 47. Rule Britannia - Traditional 48. Sailor’s Hornpipe – Traditional
BIRTHDAYS 49. Congratulations by Bill Martin and Phil Coulter 50. Happy Birthday by Mildred and Patty Hill
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