Written in 1978, this work has become a core piece of repertoire for the euphonium.
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The brass band version was first performed in 1984 by Trevor Groom and the GUS Band.
The three separate movements are :
1. Andante/Allegro ( 3.55) Much of the work's thematic material is derived from the opening four bar motif played unaccompanied by the soloist, in particular the rising intervals of 9th's, 7th's and 6th's. The mood of the movement is alternatively lyrical and driving, with much interplay between soloist and band.
2. Andante con espressione (5.16) - Romantic in mood, but always slightly restless, with a hint of the unexpected. The first theme, which the euphonium never gets to play, is presented by the solo cornet. The soloist then develops the second half of the melody alongside new ideas. There are elements of recitative present which give this movement a vocal feel.
3. Allegro Moderato ( 5.04) - Is dominated by a lively 2/4 dance but snatches of earlier material constantly return, driving the work to its majestic conclusion.
Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer – ‘The Eyes of God’ – and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break – a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Also available withpiano and wind band. An orchestral version is available on hire.
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