TEST PIECES (Major Works)

JM42461 – KENSINGTON CONCERTO; A - Score only

Available £37.95

Category: TEST PIECES (Major Works)
Composer / arranger: Eric Ball

JM31080 – KHACHATURIAN SUITE from Gayeneh. - Parts & Score

Available £82.95

Categories: Howard Snell Music, TEST PIECES (Major Works)
Composer: Aram Khachaturian
Arranger: Howard Snell

Suite in Four movements :

01. Introduction - Daybreak
02. Waltz
03. Lullaby
04. Lezghinka

JM42462 – KHACHATURIAN SUITE from Gayeneh. - Score only

Available £37.95

Categories: Howard Snell Music, TEST PIECES (Major Works)
Composer: Aram Khachaturian
Arranger: Howard Snell

Four movements :

1. Introduction - Daybreak
2. Waltz
3. Lullaby
4. Lezghinka

JM72912 – KIDNAPPED - Parts & Score

Available £65.00

Category: TEST PIECES (Major Works)
Composer: Chris Brown

A musical tale for Brass Band,based on the 1886 Scottish novel by Robert Louis Stevenson

Duration 11.05

Kidnapped by Chris Brown is a musical tale loosely based on the 1886 Scottish Novel by Robert Louis Stevenson. This work was “highly commended” in the 2013 BandComposition.Com competition. The work has eight main contrasting sections performed as a continuous through composed work as follows :

1. The work opens with statements of the two main characters in the story – firstly a bold lively pentatonic fully scored statement of the David Balfour Theme, this quickly followed by the first appearance of the Alan Breck Theme ( letter A) , again lively but in the relative minor key and more thinly scored. The first sign of the tension which unfolds in this story comes just before letter B with tutti syncopated stab chords.

2. At letter C, we have arrived at the eerie House of Shaws, where David Balfour’s uncle Ebenezer sends David up to the top of the ruined house without a light to fetch a chest. David is forced to scale the stairs in the dark, and realizes that not only is the tower unfinished in some places, but that the steps simply end abruptly and fall into the abyss. The use of ascending diminished 7th. chords and dissonance greatly add to the drama here. David concludes that his uncle intended for him to have an "accident" so as not to have to give over his inheritance. The next morning David is duped into boarding a ship anchored in the nearby Firth O’ Forth by his uncle Ebeneezer. Once aboard he is then immediately struck senseless and made prisoner.

3. Third bar of Letter E sees David slowly waking up very groggily at sea a captive bound for work as a slave in the Carolinas.

4. Letter H A battle ensues aboard the ship where some of the crew try to take David’s money from him. However David’s captivity does not last long, and after a shipwreck David is free again on dry land, where he eventually meets up with Alan Breck.

5. As he continues his journey, David witnesses people being shipped abroad as part of the Highland Clearances – this is the beautiful reflective lyrical section “Lochaber No More” (Letter J) featuring euphonium and several other soloists in the band.

6. David eventually encounters none other than the Red Fox (Colin Roy) himself, who is accompanied by a lawyer, servant, and sheriff's officer. When David stops the Campbell man to ask him for directions, a hidden sniper kills the hated King's agent. David is denounced as a conspirator and flees for his life, but by chance reunites with Alan. The youth believes Alan Breck to be the assassin, but Alan denies responsibility.

7. Letter M is “The Flight Through the Heather” where David and Alan attempt to flee from the government redcoat solders who are chasing them. This very clever 6/8 version of the earlier themes is beautifully contrasted with a minor version of the Judas Maccabeus theme as a counter melody on trombones to represent the advancing government soldiers.

8. Letter Q is the unbridled joy of escape to freedom by David and Alan, and a return to David’ s country in the Scottish Lowlands as a man of wealth and property – a story which has a happy ending !

Nigel Durno.

Music Editor January 2014

PDF sample scores

To view Kidnapped for BB click here

JM72913 – KIDNAPPED - Score only

Available £25.00

Category: TEST PIECES (Major Works)
Composer: Chris Brown

A musical tale for Brass Band,based on the 1886 Scottish novel by Robert Louis Stevenson

Duration 11.05

Kidnapped by Chris Brown is a musical tale loosely based on the 1886 Scottish Novel by Robert Louis

Stevenson. This work was “highly commended” in the 2013 BandComposition.Com competition. The work has eight main contrasting sections performed as a continuous through composed work as follows :

1. The work opens with statements of the two main characters in the story – firstly a bold lively

pentatonic fully scored statement of the David Balfour Theme, this quickly followed by the first appearance of the Alan Breck Theme ( letter A) , again lively but in the relative minor key and more thinly scored. The first sign of the tension which unfolds in this story comes just before letter B with tutti syncopated stab chords.

2. At letter C, we have arrived at the eerie House of Shaws, where David Balfour’s uncle Ebenezer sends David up to the top of the ruined house without a light to fetch a chest. David is forced to scale the stairs in the dark, and realizes that not only is the tower unfinished in some places, but that the steps simply end abruptly and fall into the abyss. The use of ascending diminished 7th. chords and dissonance greatly add to the drama here. David concludes that his uncle intended for him to have an "accident" so as not to have to give over his inheritance. The next morning David is duped into boarding a ship anchored in the nearby Firth O’ Forth by his uncle Ebeneezer. Once aboard he is then immediately struck senseless and made prisoner.

3. Third bar of Letter E sees David slowly waking up very groggily at sea a captive bound for work as a slave in the Carolinas.

4. Letter H A battle ensues aboard the ship where some of the crew try to take David’s money from him. However David’s captivity does not last long, and after a shipwreck David is free again on dry land, where he eventually meets up with Alan Breck.

5. As he continues his journey, David witnesses people being shipped abroad as part of the Highland Clearances – this is the beautiful reflective lyrical section “Lochaber No More” (Letter J) featuring

euphonium and several other soloists in the band.

6. David eventually encounters none other than the Red Fox (Colin Roy) himself, who is accompanied by a lawyer, servant, and sheriff's officer. When David stops the Campbell man to ask him for directions, a

hidden sniper kills the hated King's agent. David is denounced as a conspirator and flees for his life, but by chance reunites with Alan. The youth believes Alan Breck to be the assassin, but Alan denies responsibility.

7. Letter M is “The Flight Through the Heather” where David and Alan attempt to flee from the

government redcoat solders who are chasing them. This very clever 6/8 version of the earlier themes is

beautifully contrasted with a minor version of the Judas Maccabeus theme as a counter melody on trombones to represent the advancing government soldiers.

8. Letter Q is the unbridled joy of escape to freedom by David and Alan, and a return to David’ s

country in the Scottish Lowlands as a man of wealth and property – a story which has a happy ending !

Nigel Durno.

Music Editor January 2014

JM31081 – KING LEAR - Parts & Score

Available £49.50

Category: TEST PIECES (Major Works)
Composer / arranger: D. Rimmer

JM74979 – KING LEAR - Parts & Score

Available £65.00

Category: TEST PIECES (Major Works)
Composer: Granville Bantock

Symphonic Poem for brass band

Grade 4
Duration 13m

Thought to be lost for many years, King Lear was composed in 1932 for Callendar's Cable Works Band. When this band closed, its unique library was moved to Prescot Cable Works in Lancashire and it has since transferred to the Haydock Band. The work has been recorded by the Salford University Brass Band, conducted by Roy Newsome. This edition is based on the composer's original manuscript. Based on Shakespeare's masterpiece, the work is dramatic and romantically lyrical by turns. It would make an ideal traditional style test-piece for lower section bands .

JM41484 – KING of ELFLAND'S DAUGHTER, The - Parts & Score

Available £64.95

Category: TEST PIECES (Major Works)
Composer / arranger: Rodney Newton

Written for the 1st. Section National Finals is Harrogate, September 2004. 14mins.

This important new addition to the brass band repertoire is from the pen of the Buy As You View Cory Band's composer in residence, Rodney Newton. Inspired by the fantasy writings of Lord Dunsany, he has created a musical portrait of a mythical land, filled with the likes of Elves and Trolls. This tone poem is written in a highly accessible musical language, and is sure to be a highly enjoyable experience for both player and listener.

JM70539 – KING'S LIE, A - Parts & Score

Available £99.00

Category: TEST PIECES (Major Works)
Composer: Stan Nieuwenhuis

Set as the 1st.Section Test Piece for the National Finals of the 2014 British Brass Band Championships.

PROGRAMME Note

A King's Lie was commissioned by Brassband Hombeek and dedicated to Michel Leveugle, former conductor and chairman of Brassband Hombeek, for almost thirty years of devotion to the band.

A King's Lie is based on the story of 'Floire et Blancheﬂor'. Both of them grow up at the court of a muslim King in Spain, Floire is the King's son. Even though Blancheﬂor is a Christian girl, they become friends and eventually fall in love. When the King discovers this, he plots a scheme to drive them apart. He sends the girl away, when his son is studying abroad and constructs a fake grave for her. He then tells his son the girl is dead. Floire is desperate and decides to kill himself. The King then tells his son the truth, Floire departs on a journey to get his Blancheflor back. He ﬁnds her at the court of an Emir in Babylon, the girl is kept as a slave in a prisonlike tower, full of women. Floire manages to get inside this tower and is reunited Blancheﬂor. But the Emir discovers the two lovers in bed and wants to kill both of them. They get a public trial, in which a young girl stands up to their defence, she asks the Emir to forgive them, because they are young, innocent and very much in love.

The title of the piece refers to the lie the king tells his son Floire when he says Blancheflor died and shows Floire her fake grave. This dramatic turn in the story inﬂuenced Stan Nieuwenhuis to write this piece.

A King's Lie is written in 3 consecutive movements, each symbolizing a part of the story. The ﬁrst movement stands for the childhood of Floire and Blancheflor at the court. The opening symbolizes the official character of the court. After that, a more uptempo part shows the friendschip of Floire and Blancheflor that evolves into love.

The second movement symbolizes their separation with mourning solo's for the Flugelhorn (Blancheﬂor) and the Euphonium (Floire). The climax of the this second movement symbolizes Floire's unbearable situation and his desicion to return to the court to be with Blancheflor.

In the third movement is Floire searching for Blancheﬂor. The chaotic part near the end of the piece symbolizes that they get caught in the tower of the Emir and their following trial. This stops abrupt when a little girl stands up from the crowd to ask forgiveness for the couple.

Audio samples

A King's Lie A King's Lie

JM70545 – KING'S LIE, A - Score only

Available £25.00

Category: TEST PIECES (Major Works)
Composer: Stan Nieuwenhuis

Set as the 1st.Section Test Piece for the National Finals of the 2014 British Brass Band Championships.

PROGRAMME Note

A King's Lie was commissioned by Brassband Hombeek and dedicated to Michel Leveugle, former conductor and chairman of Brassband Hombeek, for almost thirty years of devotion to the band.

A King's Lie is based on the story of 'Floire et Blancheﬂor'. Both of them grow up at the court of a muslim King in Spain, Floire is the King's son. Even though Blancheﬂor is a Christian girl, they become friends and eventually fall in love. When the King discovers this, he plots a scheme to drive them apart. He sends the girl away, when his son is studying abroad and constructs a fake grave for her. He then tells his son the girl is dead. Floire is desperate and decides to kill himself. The King then tells his son the truth, Floire departs on a journey to get his Blancheflor back. He ﬁnds her at the court of an Emir in Babylon, the girl is kept as a slave in a prisonlike tower, full of women. Floire manages to get inside this tower and is reunited Blancheﬂor. But the Emir discovers the two lovers in bed and wants to kill both of them. They get a public trial, in which a young girl stands up to their defence, she asks the Emir to forgive them, because they are young, innocent and very much in love.

The title of the piece refers to the lie the king tells his son Floire when he says Blancheflor died and shows Floire her fake grave. This dramatic turn in the story inﬂuenced Stan Nieuwenhuis to write this piece.

A King's Lie is written in 3 consecutive movements, each symbolizing a part of the story. The ﬁrst movement stands for the childhood of Floire and Blancheflor at the court. The opening symbolizes the official character of the court. After that, a more uptempo part shows the friendschip of Floire and Blancheflor that evolves into love.

The second movement symbolizes their separation with mourning solo's for the Flugelhorn (Blancheﬂor) and the Euphonium (Floire). The climax of the this second movement symbolizes Floire's unbearable situation and his desicion to return to the court to be with Blancheflor.

In the third movement is Floire searching for Blancheﬂor. The chaotic part near the end of the piece symbolizes that they get caught in the tower of the Emir and their following trial. This stops abrupt when a little girl stands up from the crowd to ask forgiveness for the couple.

JM31083 – KING'S MESSENGER - Parts & Score

Available £74.95

Category: TEST PIECES (Major Works)
Composer: George Lloyd

Click on MORE DETAILS to view the Solo Cornet part.

PDF sample scores

To view Kings Messenger click here

JM42463 – KING'S MESSENGER - Score only

Available £25.00

Category: TEST PIECES (Major Works)
Composer / arranger: George Lloyd

JM49897 – KINGDOM OF DRAGONS - Parts & Score

Available £74.99

Category: TEST PIECES (Major Works)
Composer: Philip Harper

Set as the 2nd. Section testpiece for the 2010 British Brass Band Championships Regional events.

The ‘Kingdom of Dragons’ is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team.

This piece was commissioned by the Gwent Music Service with additional funding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band.

Although the music is continuous, it is divided into four distinct sections, each one representing one of the unitary authorities which make up the County of Gwent.

I.Monmouthshire, which has a large number of ancient castles
II.Blaenau Gwent, an historic area of iron and coal mining.
III.Torfaen, where Pontypool Park is a notable landmark.
IV.Newport, the largest city in the region.

The music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles in Monmouthshire, with rolling tenor drums and fanfaring cornets.

After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machinery clanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner’s work-song is introduced and, after a protracted build-up, this is restated at fortissimo before the music comes crashing to an inglorious close, much like the UK’s mining industry itself.

The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphonium lead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park’s ‘Folly Tower’ from which the distant castle turrets of Monmouthshire are visible.

Pontypool RFC was one of eleven clubs in the first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the ‘Viet Gwent’ leads into the work’s final section. This portrays Newport, a symbol for progress and optimism for the future, ideals shared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion.

Percussion requirements:
(3 players) Timpani, 2 Tenor Drums, 2 Tom toms, Snare Drum (sticks and brushes required), Bass Drum, Clash Cymbals, Suspended Cymbal, Hi-hat, Sizzle Cymbal, Tambourine, Metal block with metal beater (eg hammer), Rattle (eg football rattle), Glockenspiel, Xylophone.

PDF sample scores

To view Kingdom of Dragons click here

JM73028 – KINGDOM OF DRAGONS - Parts & Score

Available £69.95

Category: TEST PIECES (Major Works)
Composer: Philip Harper

Grade: 4

Duration: 12:00

The ‘Kingdom of Dragons’ is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team.

This piece was commissioned by the Gwent Music Service with additional funding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band.

Although the music is continuous, it is divided into four distinct sections, each one representing one of the unitary authorities which make up the County of Gwent.

I. Monmouthshire, which has a large number of ancient castles

II. Blaenau Gwent, an historic area of iron and coal mining

III. Torfaen, where Pontypool Park is a notable landmark

IV. Newport, the largest city in the region.

The music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles in Monmouthshire, with rolling tenor drums and fanfaring cornets.

After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machinery clanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner’s work-song is introduced and, after a protracted build-up, this is restated at fortissimo before the music comes crashing to an inglorious close, much like the UK’s mining industry itself.

The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphonium lead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park’s ‘Folly Tower’ from which the distant castle turrets of Monmouthshire are visible.

Pontypool RFC was one of eleven clubs in the first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the ‘Viet Gwent’ leads into the work’s final section. This portrays Newport, a symbol for progress and optimism for the future, ideals shared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion.

NOTES ON PERFORMANCE

Percussion requirements: (3 players) Timpani, 2 Tenor Drums, 2 Tom toms, Snare Drum (sticks and brushes required), Bass Drum, Clash Cymbals, Suspended Cymbal, Hi-hat, Sizzle Cymbal, Tambourine, Metal block with metal beater (eg hammer), Rattle (eg football rattle), Glockenspiel, Xylophone

JM49898 – KINGDOM OF DRAGONS - Score Only

Available £32.50

Category: TEST PIECES (Major Works)
Composer: Philip Harper

The ‘Kingdom of Dragons’ is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team.

This piece was commissioned by the Gwent Music Service with additionalfunding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band.

Although the music is continuous, it is divided into four distinct sections, each one representing one of theunitary authorities which make up the County of Gwent.

I. Monmouthshire, which has a large number of ancient castles
II. Blaenau Gwent, an historic area of iron and coal mining
III. Torfaen, where Pontypool Park is a notablelandmark
IV. Newport, the largest city in the region.

The music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles inMonmouthshire, with rolling tenor drums and fanfaring cornets.
After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machineryclanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner’s work-song is introduced and, after a protracted build-up, this is restated at fortissimo beforethe music comes crashing to an inglorious close, much like the UK’s mining industry itself.
The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphoniumlead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park’s ‘Folly Tower’ from which the distant castle turrets of Monmouthshire are visible.
Pontypool RFC was one of eleven clubs inthe first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the ‘Viet Gwent’ leads into the work’s final section. This portrays Newport, a symbol for progress and optimism for the future, idealsshared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion.

JM72807 – KLANGFUSION - Parts & Score

Available £56.60

Category: TEST PIECES (Major Works)

Grade 3

Duration 7:00

This publisher rates grade difficulty as follows:

1 = very easy
2 = easy
3 = medium
4 = difficult
5 = very difficult

JM102787 – KOSMOS - Parts & Score

Available £60.00

Category: TEST PIECES (Major Works)
Composer: Ludovic Neurohr

JM31084 – KUBLA KAHN - Parts & Score

Available Please contact us for price

Category: TEST PIECES (Major Works)
Composer / arranger: G. Bantock

JM75302 – L'EFFET DIVERS - Parts & Score

Available £120.00

Category: TEST PIECES (Major Works)
Composer: Stan Nieuwenhuis

Grade 4/5 - difficult.

L'Effet Divers

JM75826 – LA DIVINA COMMEDIA - Parts & Score

Available £85.00

Category: TEST PIECES (Major Works)
Composer: Hendrik de Boer

Duration 14.45
Difficulty = E

'La Divina Commedia' – Hendrik de Boer

'La Divina Commedia' is the first contest piece for brass band written by composer Hendrik de Boer. It is based on Dante Aligheri's epic 'The Divine Comedy.' This work, written by the Florentine poet, is one of the renowned master pieces of Western literature. Dante describes in it his imaginary journey through the three realms of the hereafter: Hell ('Inferno'), Purgatory ('Purgatorio') and Heaven ('Paradiso'). The composition consists of five parts and has the same structure as Dante's epic: ABA-BCB-CDC-DED-EFE.

'Prologue'

The composition starts on Good Friday of the year 1300. Dante is than 35 years old and in his own words "in the midst of his life path." He is lost in a dark forest, which is an allegory for a deep, personal crisis and possibly for the committing of suicide. The bugle plays the starting motive of the Gregorian hymn 'Media in vita in morte sumus' ('In the midst of life we are with death'). Dante is attacked by wild animals, which portray his sins: a panther (lust), a lion (pride) and a wolf (greed). He is saved by his childhood love, Beatrice, and his favourite poet from the classics, Virgil, who will point him the way towards salvation.

'Inferno'

Virgil accompanies Dante on his way to Hell. They travel together through the nine realms of the underworld. The outer realms are inhabited by the deceased who did not manage to control their passions and lusts, while the inner realms are inhabited by the perpetrators of violence and deception. In the very deepest crypts off Hell Lucifer, the devil himself, is caught in ice. This part of the composition is mostly in minor and consists on the one hand of two fast parts in an agitato-tempo and on the other hand of a plaintive part in a tranquillo-tempo, which reminds us of the monodies, which became famous, for an important part thanks to Giulio Caccini.

When Dante and Virgil leave Hell, they are on an island in the southern hemisphere. The biggest part of the island contains a mountain with seven terraces: Purgatory. An angel with a blazing sword is awaits them at the port of Purgatory. He draws seven P’s (from peccato, sin) on Dante’s forehead with the sword, which is portrayed by seven clear strokes of the tubular bells.

'Purgatorio'

In the second realm of the hereafter Dante and Virgil have to climb all terraces of Purgatory to do penance for their sins, before they will be able to reach the summit of the mountain, where they will find Paradise. From there an angel can bring them to actual Heaven. The musical motive of the climbing of the mountain is introduced by two short cadenzas of the euphonium and after that it is portrayed by a marcia funebre, which reminds us of the 'Via Appia' from Ottorino Resphigi’s 'Pini di Roma.'

While 'Inferno' is mostly composed in minor, we can already detect more passages in major in 'Purgatorio.' This reflects that in Hell the damned souls suffer not only the severe punishments, but also the disparity of hopelessness. In Purgatory the souls are also punished, but there they have the certainty that there will be an end to that punishment after which salvation will follow.

After they have climbed the mountain of Purgatory together Dante and Virgil's ways part, as the latter’s task has been fulfilled with reaching the earthly paradise. His task will be taken over by Beatrice; she will be Dante’s guide in Paradise.

'Paradiso'

Dante and Beatrice now undertake the journey from the earthly paradise to Heaven together. Through the nine realms of Heaven, each inhabited by a different kind of angels, they eventually reach Empyrean. 'Paradiso', which mainly consists of passages in major, is introduced by the cornets and trombones which play motives from two Gregorian hymns: 'In Paradisum deducant te angeli' ('May the angels guide thee to Paradise') and 'Requiem Aeternam dona eis Domine' ('Lord, give them eternal peace'). After this an energetic con spirito-passage follows, which portrays the journey through the realms of Heaven.

'Epilogue'

Eventually Dante will reach Empyrean, where God and the souls of the virtuous house together. He sees Mary, Jesus and in the end God himself. His journey is completed!

PDF sample scores

To view La Divina Commedia_BBMiniscore click here

Audio samples

La Divina Commedia 1 La Divina Commedia 1

La Divina Commedia 2 La Divina Commedia 2

La Divina Commedia 3 La Divina Commedia 3

La Divina Commedia 4 La Divina Commedia 4

Featured in this category

JM42461 – KENSINGTON CONCERTO; A - Score only

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JM42462 – KHACHATURIAN SUITE from Gayeneh. - Score only

JM72912 – KIDNAPPED - Parts & Score

PDF sample scores

JM72913 – KIDNAPPED - Score only

JM31081 – KING LEAR - Parts & Score

JM74979 – KING LEAR - Parts & Score

JM41484 – KING of ELFLAND'S DAUGHTER, The - Parts & Score

JM70539 – KING'S LIE, A - Parts & Score

Audio samples

JM70545 – KING'S LIE, A - Score only

JM31083 – KING'S MESSENGER - Parts & Score

PDF sample scores

JM42463 – KING'S MESSENGER - Score only

JM49897 – KINGDOM OF DRAGONS - Parts & Score

PDF sample scores

JM73028 – KINGDOM OF DRAGONS - Parts & Score

JM49898 – KINGDOM OF DRAGONS - Score Only

JM72807 – KLANGFUSION - Parts & Score

JM102787 – KOSMOS - Parts & Score

JM31084 – KUBLA KAHN - Parts & Score

JM75302 – L'EFFET DIVERS - Parts & Score

L'Effet Divers

JM75826 – LA DIVINA COMMEDIA - Parts & Score

PDF sample scores

Audio samples

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