Category: SOLOS for Horn in F Composer: Alwyn Green
Includes :
1. Nocturne from Midsummer Night's Dream
2. How Beautiful are the Feet - Handel
3. O Holy Night
4. Pie Jesu - Faure
5. To Music - Schubert
6. Song Without Words - Mendlessohn
Category: SOLOS - Trombone Arranger: James McMillen
Grade : Medium - slightly difficult
This is the Bass Clef edition with CD accompaniment.
Titles include :
1. Goldfinger 2. Don’t know why 3. Under the sea 4. Russian Dancer - Dello Joio 5. Colors of the Wind 6. Movin’ On Up 7. Cavatina 8. The Munster’s theme 9. Aquarius 10.Andante Cantabile 11.Allegretto - Persichetti
1. Goldfinger 2. Don’t know why 3. Under the sea 4. Russian Dancer - Dello Joio 5. Colors of the Wind 6. Movin’ On Up 7. Cavatina 8. The Munster’s theme 9. Aquarius 10.Andante Cantabile 11.Allegretto - Persichetti
You can view the Solo Cornet part as a PDF image of this work on your computer, by clicking on the "MORE DETAILS" button on the right.
Branwen is the second addition to a series of compositions for Brass Bands by Cai lsfryn and is based on the tale from Welsh mythology of Branwen, the Welsh goddess of love. Here we hear a character study of Branwen, with the soft and lyrical melody of the soprano cornet representing her beauty and the smooth underlying triplet feel of the band accompaniment creating an atmospheric and gentle effect. Duration c. 3.00 Cai sfryn
CONTENTS Trumpet and piano: 1. SaIm o Dewi Sant (Karl Jenkins) 2. Cantilena (Carol Barratt) C version 3. Cantilena (Carol Barratt) B flat version 4. Cries and Whispers (Ned Rorem) 5. Elegy (David Home) 6. Serenade (Kurt Schwertsk)
Trumpet duets: 1. Go Blowiour Own (Jonathan Lloyd) 2. Melody with Echo from Sonata for 2 trumpets (Robin Holloway) 3. Fanfare for Lowry (Peter Maxwell Davies) 4. Performance notes
Click on MORE DETAILS to view an image (PDF) of the Solo Cornet part.
This much loved ballad have been arranged as a Euphonium solo by Neville Buxton.
Released by Tony Bennet, it became a gold-selling Top Ten hit that stayed in the charts almost three years. With intricate band parts and an unforgettable solo line, this arrangement will bring back the memories of the 60’s to your concert audience.
Category: Solos Composer: Caesar Frank Arranger: Stephen Tighe
Arranged as a soprano solo, this is Possibly the most famous song that Cesar Franck every composed. This soothing piece has been recorded by everyone from Luciano Pavarotti to Charlotte Church. Composed in 1872, originally for Organ, Harp, Cello, Double Bass and Tenor Voice, the piece was later interpolated into a 3 voice mass. A popular piece for any concert occasion.
Category: Solos Composer: Max Bruch Material: Steven Hague
Cornet Solo
Skilfully arranged by Steven Hague for Kirsty Abbots of Carlton Main Frickley Brass Band, this beautiful second movement will not only keep the cornet soloist on their toes, but the rest of the band too, with some tricky rhythms and articulation. Although much of the work of Max Bruch remains unknown to modern audiences, his G Minor Concerto enjoys widespread popularity.
"One of Mozart’s best-loved and most performed pieces is the lively ‘Rondo Alla Turca’ from the Piano Sonata in A minor, K331, written in Paris in 1778. In this arrangement the Rondo is preceded by a little-
known adagio, K580a, which existed previously as a fragment scored for solo clarinet and three basset horns. This completed version of the adagio is in sonata form, its main theme closely resembling Mozart’s famous motet Ave verum corpus."
You can view the Solo Euphonium part as a PDF image of this work on your computer, by clicking on the "MORE DETAILS" button on the right - this will reveal the PDF image for you to sample.
Category: SOLOS - Euphonium Composer: Joseph Hector Fiocco Arranger: Robert Childs
Solo for Euphonium.
Fiocco (1703–41) was the most famous member of a family of Belgian musicians. As well as being a church musician, Joseph was a violin maker, professor of Latin and Greek, and a distinguished harpsichord player. His famous allegro, originally written for harpsichord, lies well for the euphonium. It requires a steady tempo throughout its compass and dynamic range, and is ideal for improving technique and stamina. The lyrical arioso demands well-shaped phrases and fine breath control.
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