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A wonderful new work for euphonium, Euphonium Fiesta consists of three separate movements played without a break. The first and third movements explore the technical and rhythmical possibilities of the soloist whilst, in the middle movement, the soloist has a wonderful lyrical melody fully utilising the full range of the instrument. This phenomenal work is sure to become a popular soloist showcase for many years to come.
Written in 1978, this work has become a core piece of repertoire for the euphonium.
Click on MORE DETAILS to view a sample part.
The brass band version was first performed in 1984 by Trevor Groom and the GUS Band.
The three separate movements are :
1. Andante/Allegro ( 3.55) Much of the work's thematic material is derived from the opening four bar motif played unaccompanied by the soloist, in particular the rising intervals of 9th's, 7th's and 6th's. The mood of the movement is alternatively lyrical and driving, with much interplay between soloist and band.
2. Andante con espressione (5.16) - Romantic in mood, but always slightly restless, with a hint of the unexpected. The first theme, which the euphonium never gets to play, is presented by the solo cornet. The soloist then develops the second half of the melody alongside new ideas. There are elements of recitative present which give this movement a vocal feel.
3. Allegro Moderato ( 5.04) - Is dominated by a lively 2/4 dance but snatches of earlier material constantly return, driving the work to its majestic conclusion.
Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer – ‘The Eyes of God’ – and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break – a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Also available withpiano and wind band. An orchestral version is available on hire.
Written in 1978, this work has become a core piece of repertoire for the euphonium.
The brass band version was first performed in 1984 by Trevor Groom and the GUS Band.
Click on MORE DETAILS to view a sample part.
The three separate movements are :
1. Andante/Allegro ( 3.55) Much of the work's thematic material is derived from the opening four bar motif played unaccompanied by the soloist, in particular the rising intervals of 9th's, 7th's and 6th's. The mood of the movement is alternatively lyrical and driving, with much interplay between soloist and band.
2. Andante con espressione (5.16) - Romantic in mood, but always slightly restless, with a hint of the unexpected. The first theme, which the euphonium never gets to play, is presented by the solo cornet. The soloist then develops the second half of the melody alongside new ideas. There are elements of recitative present which give this movement a vocal feel.
3. Allegro Moderato ( 5.04) - Is dominated by a lively 2/4 dance but snatches of earlier material constantly return, driving the work to its majestic conclusion.
Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer – ‘The Eyes of God’ – and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break – a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Also available withpiano and wind band. An orchestral version is available on hire.
Category: SOLOS - Euphonium Composer / arranger: Brian Bowen
Duration 15:00
Click on MORE DETAILS to view a sample part.
Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer – ‘The Eyes of God’ – and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break – a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Also available with brass band and wind band.
Categories: SOLOS - Euphonium, SALVATIONIST MUSIC Composer / arranger: Robert Redhead
Euphony ( 7.29) was somposed for the euphonium soloist Wilf Mountain in 1978 and is based on four Salvation army tunes by Sidney Cox 1. He Found Me 2. This One Thing I Know 3. You Can Tell Out the Sweet Story and 4. Deep & Wide.
These tune are used in the three part structure of this work. (fast/slow/fast) following a grand introduction.
Category: SOLOS - Euphonium Composer: Robert Redhead
Previously only available in manuscript form, this euphonium solo with brass band accompaniment is now available in printed format. Euphony (meaning a pleasant, sweet sound) is based on the tunes of Sidney Cox with material taken from the songs; 'He found me', 'This one thing I know', 'You can tell out the sweet story' and 'Deep and wide'. At the time of writing, the composer remarked; 'The euphonium is often associated with melodies and harmonies that lend themselves to pleasing sounds'. That is true of this solo but it also presents considerable technical challenges for the soloist in terms of range and technique.
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