Light concert music from Bernaerts, Chandos, DeHaske, Faber, Gramercy, Howard Snell, Kirklees, Lake Music, Novello, Obrasso, R Smith, Salvation Army, Studio Music, Windwood Music, Wright & Round and many, many more.
Categories: LIGHT CONCERT MUSIC, SALVATIONIST MUSIC Composer / arranger: Peter Graham
Salvation Army Tone Poem
Click on "MORE DETAILS" to view the Solo Cornet part.
Comments by Divisional Bandmaster Michael Kenyon
The title itself is arresting and the word in this context means ‘to proclaim’. John Milton’s hymn Let us with a gladsome mind has for its second verse the opening line, Let us blaze his name abroad. Such fine words deserve a tune of similar stature, therefore Handel’s Theodora provides an ideal setting of this poem.
This major work was written for the International Staff Band Centenary in 1991 and embraces a set of variations on the above tune. The quality of the music demands the best in technique, musicianship and commitment.
INTRODUCTION and THEME - Consisting of recognisable fragments of the main tune the music begins in brilliant style. There is so much detail to be observed and conductors will need to exercise firm rhythmic control. Bar 34 brings quite a severe application of ‘musical brakes’ in order to achieve the required lento in preparation for the presentation of Theodora. In this bar synchronisation of quavers is essential.
Var. I ENERGIA - Clear definition and control of various rhythmic figures should be one of the prime concerns here. Beginning in bar 62 the two-part passage for Baritones is just the first of a number of examples where correct balance is vital. The correct piano level at the opening will aid the subsequent gradations of volume. The directives Energia and later Brioso describe the character of the music. Note the mezzo piano subito at bar 115.
Var. IL REVERIE - Held-over Trombone notes provide a link from the first variation. A sense of continuous rhythmic movement pervades this variation. Satisfactory dove-tailing of parts is an important requirement, and in this respect, two Solo Comet players will feature. There are also important entries for Euphonium, Solo Horn and 1st.Baritone.
Var. III RITMICO - Again there is a link to this variation. The music bristles with rhythmic interest and, as elsewhere in the work, the Percussion section is an important part of the structure. Musical quotations from personalities associated with the ISB can be heard.
Var. IV ELEGY - Important melodic entries are self-evident and it follows that accompanying lines must be supportive without being obtrusive. This music is a tribute to the past.
Var. V FINALE - Preparation of speed and style begins at bar 245 whereas the variation proper begins at bar 263. In referring to a song of praise, Paean (words by Phillip Coutts) the composer looks to the future. Various changes of time-signiture will keep conductors and players alert. The music maintains a sense of excitement throughout and a meticulous regard for detail together with correct balance of parts will be worthwhile for players and listeners.
Category: LIGHT CONCERT MUSIC Arranger: Gavin Somerset
Keeping spirits high during World War II was essential, and music played a huge part. Darrol Barry's excellent arrangement 'Keep Smiling Through' has been pleasing audiences for years and can probably be found in most brass bands libraries across the country. This new release of popular war time songs including 'Wish Me Luck, As You Wave Me Goodbye', 'We're Going To Hang Out The Washing', 'Kiss Me Goodnight Sgt. Major', 'Good Morning', 'Bless 'Em All' and the highlight of the piece, the slow, hair raising middle movement 'Apple Blossom Time', is being released to coincide with the 70th Anniversary of the Battle Of Britain. All of these songs were sung as the London population camped out in the underground stations. This arrangement will get the feet tapping as audiences sing along to the lively pieces and then sends shivers down their spines with the gorgeous 'Apple Blossom Time' featuring in the middle of the medley. This is a piece not to be missed and should belong in all bands libraries.
Including -
01. ‘Wish Me Luck, As You Wave Me Goodbye’ 02. ‘We’re Going To Hang Out The Washing’, 03. ‘Kiss Me Goodnight Sgt. Major’, 04. ‘Good Morning’, 05. ‘Bless ‘Em All’ and the highlight of the piece, the slow, hair raising middle movement ‘Apple Blossom Time’, is being released to coincide with the 70th Anniversary of the Battle Of Britain.
Category: LIGHT CONCERT MUSIC Arranger: Gavin Somerset
3rd Section +
Keeping spirits high during World War II was essential, and music played a huge part. Darrol Barry's excellent arrangement 'Keep Smiling Through' has been pleasing audiences for years and can probably be found in most brass bands libraries across the country. This new release of popular war time songs including 'Wish Me Luck, As You Wave Me Goodbye', 'We're Going To Hang Out The Washing', 'Kiss Me Goodnight Sgt. Major', 'Good Morning', 'Bless 'Em All' and the highlight of the piece, the slow, hair raising middle movement 'Apple Blossom Time', is being released to coincide with the 70th Anniversary of the Battle Of Britain. All of these songs were sung as the London population camped out in the underground stations. This arrangement will get the feet tapping as audiences sing along to the lively pieces and then sends shivers down their spines with the gorgeous 'Apple Blossom Time' featuring in the middle of the medley. This is a piece not to be missed and should belong in all bands libraries.
Category: LIGHT CONCERT MUSIC Composer: Keiron Anderson
Duration: 3:30 Minutes.
There are many harmonic forms of the blues from a standard chord sequence to a more complex set with a circle of fifths. This bright, entertaining work is fun to play and easy to programme with a hint of jazz and a swing feel, complete with a little interplay section for bass trombone and tuba, which adds to the entertainment value of this piece.
Percussion: 4 players playing drum kit, timpani, bongos and xylophone
Category: LIGHT CONCERT MUSIC Composer: Jacob de Haan
Difficulty: 2.5
Duration: 7:30
Bliss: Impressions of a Village is a spectacular test piece by one of the most renowned brass band composers in Holland, Jacob de Haan. It contains three impressions of a village in the beautiful Brabant province in the Netherlands. The first movement is in a very classical style, which captures the village’s history appropriately. Saxophones and a glockenspiel follow the path of a small, playful river. The entire band joins in as the small river approaches an ancient castle. The third movement contains lots of interesting rhythms portraying the hustle and bustle of everyday life in the village.
To view 
