Light concert music from Bernaerts, Chandos, DeHaske, Faber, Gramercy, Howard Snell, Kirklees, Lake Music, Novello, Obrasso, R Smith, Salvation Army, Studio Music, Windwood Music, Wright & Round and many, many more.
Category: LIGHT CONCERT MUSIC Composer: Dianne Warren Arranger: Steve Sykes Difficulty level: Fourth
Diane Warren is one of the greatest songwriters of today and her song There You’ll Be was featured in the fi lm Pearl Harbour starring, Ben Affleck and Kate Beckinsale. This brass band arrangement has been made by Steve Sykes.
Brass Band Grade 4
Duration: 8 minutes.
Grade equivalents for Brass Band test-pieces where there is considerable overlap at the higher levels, depending on the level of competition (local, regional or national):
Category: LIGHT CONCERT MUSIC Composer: Kevin Larsson
One of the most well-known songs from the Gowans and Larsson musical, 'The Blood of the Lamb' is given an 'African' treatment which builds to a majestic climax emphasising the words; 'From every tribe and every race, all men as brothers shall embrace; they shall come from the east, they shall come from the west, and sit down in the Kingdom of God'.
Category: LIGHT CONCERT MUSIC Composer: Bobby Darin Arranger: Sandy Smith
"Like a Walk in the Park...." you know the tune ! "Memories are all I have to cling to (Cling to) etc.
If you enjoyed listening to this extract and want to hear the full recording, you can buy the CD on this website in the CD Section. The CD is "THE WORLD CHAMPIONS" the Cory Band conducted by Dr.Robert Childs.
Category: LIGHT CONCERT MUSIC Composer: Arthur Bliss Arranger: Philip Littlemore
The 1936 science fiction film Things To Come was written by H G Wells and starred Raymond Massey and Ralph Richardson. It is based on the author’s 1933 novel The Shape of Things To Come, and elaborate prophecy of world war, disease, dictatorship and finally a utopia. It was Wells himself that approached Arthur Bliss to write the music for the film, although Bliss had no experience of writing for the medium. Wells believed that the music was integral and not to be added later, and so several sections of the score were completed before shooting and some of it was used intact. Whether the producer, Alexander Korda, had agreed to this is unclear but, inevitably, some of the music was edited under the watchful eye of Muir Mathieson, who was involved in the project as music director and also working on his first major film. Some six months before the release of the film Bliss created an extensive Suite for the BBC, and conducted two-thirds of the special recording sessions himself. Some of the original manuscripts and material from those sessions subsequently disappeared and are now lost. The later concert suite, from 1940 and dedicated to H G Wells, includes six movements of which four have been arranged in this brass band transcription.