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Categories: LIGHT CONCERT MUSIC, Howard Snell Music Composer: A. Borodin Arranger: Howard Snell
A New Edition of this work
Another stunning finisher; 11 mins. but can be cut to different lengths.Can be used with chorus (one tone down)
These Dances have been used in so many contexts, from shows to films, that they need no introduction. This complete version can be performed with the choral parts that are sometimes used in concert. There are no choral parts included with this purchase.
Dances included are : 01. Andantino 02. Allegro Vivo 03. Allegro 04. Presto 05. Moderato alla breve 06. Presto 07. Allegro con spirito
Click on the PDF to view the Solo Cornet part.
If you enjoyed listening to this extact, you can buy the complete CD recording on our website : PATRONS' CHOICE III - Foden's Band conducted by Michael Fowles.
Category: LIGHT CONCERT MUSIC Composer: Alexander Borodin Arranger: Kevin Norbury
"Alexander Borodin (1883 - 1887) was a Russian composer who made his living as a chemist. He was a member of the group of composers called ""The Five"" (or ""The Mighty Handful"") who were dedicated to producing a specifically Russian kind of art music. He is best known for his symphonies, his two string quartets, and his opera ""Prince Igor"". The opera contains ""The Polovtsian Dances"" which is often performed as a stand-alone concert work."
Category: LIGHT CONCERT MUSIC Composer: Edward Elgar Arranger: Philip Sparke
Elgar was fond of the march "form", his first work to catch the public ear was the Imperial March written in 1897. His Pomp & Circumstanc marches appeared over a period of about thirty years. Nos 1 & 2 in 1901, No3 in 1905, No4 in 1907 and No5 in 1930. Nos 1 & 4 are the best known because of their singable trio tunes, but the others contain some vintage Elgar.
Categories: Howard Snell Music, LIGHT CONCERT MUSIC Composer: Edward Elgar Arranger: Howard Snell
Elgar was fond of the march "form", his first work to catch the public ear was the Imperial March written in 1897. His Pomp & Circumstance marches appeared over a period of about thirty years. Nos 1 & 2 in 1901, No3 in 1905, No4 in 1907 and No5 in 1930. Nos 1 & 4 are the best known because of their singable trio tunes, but the others contain some vintage Elgar.
Category: LIGHT CONCERT MUSIC Composer: Edward Elgar Arranger: Philip Sparke
Elgar was fond of the march "form", his first work to catch the public ear was the Imperial March written in 1897. His Pomp & Circumstance marches appeared over a period of about thirty years. Nos 1 & 2 in 1901, No3 in 1905, No4 in 1907 and No5 in 1930. Nos 1 & 4 are the best known because of their singable trio tunes, but the others contain some vintage Elgar.
Category: LIGHT CONCERT MUSIC Composer: Edward Elgar
Elgar was fond of the march "form", his first work to catch the public ear was the Imperial March written in 1897. His Pomp & Circumstance marches appeared over a period of about thirty years. Nos 1 & 2 in 1901, No3 in 1905, No4 in 1907 and No5 in 1930. Nos 1 & 4 are the best known because of their singable trio tunes, but the others contain some vintage Elgar.
Please note that there is no score published for this work. Historically, conductors have used a cued Solo Cornet part to conduct with.
Categories: LIGHT CONCERT MUSIC, Howard Snell Music Composer: Edward Elgar Arranger: Howard Snell
Elgar was fond of the march "form", his first work to catch the public ear was the Imperial March written in 1897. His Pomp & Circumstance marches appeared over a period of about thirty years. Nos 1 & 2 in 1901, No3 in 1905, No4 in 1907 and No5 in 1930. Nos 1 & 4 are the best known because of their singable trio tunes, but the others contain some vintage Elgar.
After the success of the first March, Elgar continued the series with four more excellent compositions that are all arguably more interesting than the first. Number 5 is a thoroughly invigorating piece of ceremonial music, completely undeserving of being in the shade of its famous antecedent.
Categories: MARCHES, LIGHT CONCERT MUSIC Composer: Edward Elgar Arranger: Philip Littlemore
Elgar’s Pomp & Circumstance March No.4 was completed on the 7th June 1907, five days after the composer’s 50th birthday. The first performance took place a few weeks later on the 24th August at the Queen’s Hall, with Henry Wood conducting. Similar in structure and style to Pomp & Circumstance March No.1, it has a lively, rhythmic march section and a very broad, lyrical ‘big tune' melody in the Trio. However, in this march Elgar superimposes one on top of the other in a final, extedned coda. Several attempts have been made to fit words to the main tune, the first of which were by the composer's wife, Alice, for her song The King's Way. The musidc was later set to Alfred Noye's Song of Victory before a later attempt to make a patriotic Song of Liberty for World War II by author A P Herbert.
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