Category: Quartets Composer: N. Rimski-Korsakov Material: Simon Kerwin
You can view the Solo Cornet part as a PDF image of this work on your computer, by clicking on the "MORE DETAILS" button on the right - this will the PDF image for you to sample.
Category: Quartets Composer: Nikolai Rimsky-Korsakov Arranger: Denis Burton
Dance of the Tumblers comes from Rimsky-Korsakov's opera The Snow Maiden and is considered to be one of his most well-known themes. It has been expertly arranged for tuba quartet (2 euphoniums, 2 tubas) by Denis Burton.
Categories: NEW & RECENT Publications, Quartets Composer: Traditional Arranger: David Childs
Danny Boy or Londonderry Air is probably the most famous of all Ireland's folk songs. It is unclear when or who wrote the melody line but the words most commonly sung to the tune were penned by Englishman Frederick Weatherly in Somerset around the turn of the 20th Century.
The true meanings of the lyrics are unclear and Weatherly never divulged their significance but it is most commonly believed that it is a message from a parent to a son traveling to war.
The song has been covered in a wide variety of styles including recordings by Glenn Miller, Judy Garland, Johnny Cash, Cher, Eric Clapton and Charlotte Church to name but a few.
This simple but effective arrangement will bring a touch of Ireland to any audience.
Saint Saens- Dance Macabre; Mozart- Musical Joke; Handel-Firework Music; Burt Bacharach - What the World Needs Now; Mendelssohn - Nocturne; Carols Each Part
The Deep was composed for the Swiss National Quartet Championships 2017 and was adapted from the original work The Final Voyage. It is a dramatic piece of program music to mark the 100th anniversary of the final fateful journey of HMS Hampshire on 5 June 1916. Section: 1
All but 12 of its 737 crew-members lost their lives on that fateful journey. The mission, was to take Britain's Commander-in-Chief Lord Kitchener to Russia for a special meeting with the Tzar and his Generals. On 5 June 1916 HMS Hampshire left the English port to never return.
Composed in several connecting movements, this piece of programmatic music paints a musical
picture of its final journey beginning in port:
Opening with a fanfare, the magnificent HMS Hampshire is unveiled, moored in port as the crew and guests board. Followed by a short slow reflective section to represent the final farewells to those left onshore, the fanfares then take us into the open waters as the ship sets sail in heroic fashion. The next movement sees the Hampshire crashing majestically through the waves as it begins its journey.
However, the weather starts to deteriorate and conditions became increasingly difficult. The music here builds as you hear running triplet motifs representing the waves crashing against the hull. The conditions worsen, panic starts to ensue and as the crew battle with the horrendous elements just off Marwick Head, Orkney the ship hits a mine. With a big explosion from the percussion the hull of the ship is ripped apart.
The ship now engulfed by flames and water sinks into the stormy waters represented by three heavy lower brass chords. Blind panic from the crew represented by discordant rhythmic flourishes from the cornets and horns ensues. This frantic music, as they try desperately to escape the sinking vessel accompanies 12 fanfare voices from various instruments – representing the 12 lone survivors as they escape and swim to dry land.
This penultimate section fades and lowers as the ship and crew sink to the bottom. A lone cornet line is played - reflecting on the loss of life. This is then followed by the final section: a buildup of minor chords in dramatic fashion representing the devastating loss of life to conclude this tragic story.
This piece celebrates the lives of those who were lost and reflects on the tragedy suffered by the serving crew men and their families.