Light concert music from Bernaerts, Chandos, DeHaske, Faber, Gramercy, Howard Snell, Kirklees, Lake Music, Novello, Obrasso, R Smith, Salvation Army, Studio Music, Windwood Music, Wright & Round and many, many more.
Category: LIGHT CONCERT MUSIC Composer: Johan Halvorsen Material: George Jardine
You can listen to an extract or view the Solo Cornet part as a PDF image of this work on your computer, by clicking on the "MORE DETAILS" button on the right - this will reveal the audio extract & PDF image for you to sample.
Category: LIGHT CONCERT MUSIC Composer: Bertrand Moren
Entry of the Celts is a delightful light concert opener. As its title implies, this work features Celtic-inspired music. All the instruments in the band are given the opportunity to display their most beautiful sound colours: from the bass section to the comets, via the tenor horns, euphoniums/baritones and trombones. Each section plays a solo passage, accompanied by percussion instruments.The solo for soprano cornet leads to a sparkling and impressive finale. A wonderful Celtic work that will enchant and delight your audiences.
Technically very demanding for all sections of the band. Duration 4.20
Category: LIGHT CONCERT MUSIC Composer: Josef Fucik Composer / arranger: Fucik
Class circus music - duration - 2.21
You can listen to an extract of this work on your computer, by clicking on the "MORE DETAILS" button on the right - this will reveal the audio extract and the SOLO CORNET PART for you to sample.
If you enjoyed listening to this extract, you can buy the full recording of this work on the CD section of our site. If you want to perform this work with your band, you can of course purchase the score and parts here right now, by clicking on "BUY NOW".
The recording is Brass in Concert 2004 - Highlights - DOY CD194
Categories: LIGHT CONCERT MUSIC, Howard Snell Music Composer: Richard Wagner Material: Howard Snell
Superb finishing number for a concert. (From Das Rheingold)
The Valkyrie, the second opera of Wagner’s Ring cycle, ends with the Gods crossing the rainbow bridge and entering into Valhalla, another name for Odin’s Hall, the home for the slain in battle. Wagner’s mish-mash of ancient Norse and Germanic legend need not worry the listener too much unless he or she wants to take in the whole Wagner experience. Needless to say, in this excerpt there is more than enough to enjoy of the majesty and variety of Wagner’s music.
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