TEST PIECES (Major Works)

Featured in this category

There are 1887 items. Page 62 of 95 62
PASSACAGLIA for B/Band on a Theme of Brahms - Score only
Available £19.50

Category: TEST PIECES (Major Works)
Composer / arranger: Arthur Butterworth

The 1st. Section Testpiece for the 2003 Regionals. The theme is from the last mvt. of Brahams's 4th. Symphony. The work is approx.10.30".
Available £49.50

Category: TEST PIECES (Major Works)
Composer / arranger: T.J. Powell

PASTORAL SYMPHONY - Parts & Score
Available £39.95

Categories: TEST PIECES (Major Works), SALVATIONIST MUSIC
Composer: Robert Redhead

This symphony for brass band seeks to explore the thought that 'the greatest need of any congregation is its pastor's personal holiness'. The first movement challenges the pastor 'to serve the present age', the tunes 'Majesty' and 'Lathbury' are used. The second movement expresses a priority to 'Seek...first the Kingdom of God'. The short third movement presents the question 'Except I am moved with compassion, how dwellest they Spirit in me?' before the triumphant finale reflects the desire of every Christian that his life and work will always be for the glory of God with the presentation of 'In my life Lord, be glorified'.
PASTORAL SYMPHONY - Score only
Available £19.95

Categories: TEST PIECES (Major Works), SALVATIONIST MUSIC
Composer / arranger: Robert Redhead

Salvation Army suite.
PATRIOTS, The - Parts & Score
Available £107.95

Category: TEST PIECES (Major Works)
Composer: Jan De Haan

Grade 4.5
Duration 14.15

The Dutch patriottentijd (literally ‘Time of the Patriots’) was a period of political instability in the 1780s. The country was led by regents who were occupied with their own personal interests rather than dedicating themselves to the needs of the people. In this revolutionary period, the devoted republican Patriots were in conflict with the Orangists. A civil war followed, in which the Patriots were beaten and driven away by a Prussian army. This composition is an abstract piece inspired by the Patriots. The thematic material is based on the Dutch war song ‘Merck toch hoe sterck’. Its powerful minor melody, which has its origins in the Eighty Years’ War, is recognizable throughout the work, presented in variations of constantly shifting character.

The Patriots

Available £17.95

Category: TEST PIECES (Major Works)
Composer: Jan De Haan

Grade 4.5
Duration 14.15

The Dutch patriottentijd (literally ‘Time of the Patriots’) was a period of political instability in the 1780s. The country was led by regents who were occupied with their own personal interests rather than dedicating themselves to the needs of the people. In this revolutionary period, the devoted republican Patriots were in conflict with the Orangists. A civil war followed, in which the Patriots were beaten and driven away by a Prussian army. This composition is an abstract piece inspired by the Patriots. The thematic material is based on the Dutch war song ‘Merck toch hoe sterck’. Its powerful minor melody, which has its origins in the Eighty Years’ War, is recognizable throughout the work, presented in variations of constantly shifting character.
Available £44.95

Category: TEST PIECES (Major Works)
Composer / arranger: Edward Gregson

Available £22.50

Category: TEST PIECES (Major Works)
Composer / arranger: Edward Gregson

Available £49.50

Category: TEST PIECES (Major Works)
Composer / arranger: Eric Ball

PENLEE - Parts & Score
Available £95.95

Category: TEST PIECES (Major Works)
Composer: Simon Dobson

To some, the tragic story of the Penlee lifeboat, Solomon Browne, would need no introduction, and to some the pain felt is still very much a reality. The composer, born just a few weeks before that fateful night on the 19th December 1981, has created this work as a musical homage to the bravery of the souls who lost their lives and has dedicated it to their memory.

Penlee was commissioned by the Cornwall Youth Brass Band using funds bequeathed by Michael Pickett. The first performance was given by the Cornish Youth Brass Band, conducted by Ian Porthouse, at St. Michael’s Church, Newquay, on 30th December 2008.

Penlee has been voted into the Classic FM Hall of Fame 2011 at No.106. Not only is it the first time a brass work has been featured in the Hall of Fame, but it was also the highest new entry.

The work has subsequently been recorded by the Leyland Band, conducted by Jason Katsikaris, on the CD entitled Penlee, which can be purchased on our website by clicking here.

Brass Band Grade 4: Advanced Youth and 3rd Section

Duration: 13 minutes

PROGRAMME NOTE
The tragic story of the Penlee lifeboat, the Solomon Browne, needs no introduction, and the pain felt by family and friends in the area is still very much a reality. I was brought up in full knowledge of the story having been born just a few weeks before the fateful night itself. I felt that, given the opportunity, I would like to pay a musical homage to the bravery of the souls involved in a true story of heroism and sadness, a story that has passed almost into Cornish Legend. Penlee, for brass band and percussion, is the result of my feelings regarding the events, and is dedicated to all the souls who lost their lives in Cornwall’s treacherous waters, those on the lifeboat, and the crew and passengers of the Union Star, on the night of 19th December 1981.
 
In order to represent the story faithfully, I have adhered to a timeline of events describing what happened from around 6.00pm until around 10.00pm on that night. The music starts in a positive mood as the Union Star, a brand new cargo vessel, makes her way in calm waters through the straights of Dover bound for port in Ireland. As the Union Star continues on her voyage past the Cornish coast, she receives a weather warning but presses on regardless. The level of dissonance in the music increases as the Weather worsens and drowns out the hint of Christmas cheer (sleigh bells, Fig. B). Alarm is felt (Fig. D), as the Union Star radios for assistance with its engines stopped, the Union Star’s captain realises that the vessel is in trouble (Fig. E); assistance will be needed to get everyone off, including his own family who are on board unbeknown to the authorities. Tension rises with the
swelling seas (Fig. F). Realising the situation is only going to get worse, the Coast Guard sends word to the crew of the Solomon Browne lifeboat (Fig. G).
 
A Sea—King helicopter is launched (Fig. ]) into terrible weather to try and help the stricken vessel. Its attempts and failures to help in the situation are represented in the music (Figs. K—M) and at Figure M, the tension in the lifeboat house reaches its peak. At 7 .4Opm, with more than a little apprehension and an enormous amount of bravery, the crew of the Solomon Browne, led by Trevelyan Richards, launches into a near Force—10 storm (Fig. P). The lifeboat can be heard battling against extreme weather and soon starts its rescue attempt. According to the Sea—King pilot, the Penlee lifeboat, braving an horrendous battering, rescued all but two from the Union Star (Fig. O).This can be heard in the welling up and eventual dissipation of an heroic theme, which eventually gives way at Fig. R. The horrors of the subsequent events can only be guessed at, as at 9.21pm radio contact was lost and both boats perished. The Solomon Browne is lost (Fig. U), after which a lament is heard (Fig. W). An uneasy lull is felt after the storm (Figs. X—Y). The music ends with a quote from the Tone Poem Resurgam by Eric Ball, proclaiming, “the souls of the righteous are in the hands of God”.
 
Simon Dobson 2008
 


  Grade equivalents for Brass Band test-pieces where there is considerable overlap at the higher levels, depending on the level of competition (local, regional or national):

Grades 1 & 2: Novice and Learner Bands
Grade 3: Youth and 4th Section
Grade 4: Advanced Youth and 3rd Section
Grade 4/5: Premier Youth and 2nd Section
Grade 5: 1st Section
Grade 5/6: Championship and 1st Sections
Grade 6: Championship

   
   
   
PDF
PDF sample scores
MP3
Audio samples
01 Penlee Excerpt 1 01 Penlee Excerpt 1
02 Penlee excerpt 2 02 Penlee excerpt 2
03 Penlee excerpt 3 03 Penlee excerpt 3

JM67747PENLEE - Score only

Available £16.96

Category: TEST PIECES (Major Works)
Composer: Simon Dobson

This work has been set as the THIRD Section Testpiece for the British Brass Band Championships, National Finals 2013.
PENNINE MOORS - Parts & Score
Available £55.00

Category: TEST PIECES (Major Works)
Composer: Darrol Barry

PENTACLE - Parts & Score
Available £79.95

Category: TEST PIECES (Major Works)
Composer: Graham Cole

The 2009 Area/ Regional First Section Testpiece.

To hear audio extracts of the five sections of this work, click on the "MORE DETAILS" button opposite.

If you enjoyed listening to these five audio extracts and want to hear the complete performance of this work, then you can do so by purchasing the CD entitled "REGIONALS 2009" ON DOY CD 246 in BRASS BAND CD section of this site.

PROGRAMME NOTE by Graham cole
The origins of the Pentacle go back to remotest historical antiquity and have been honoured by many civilizations. To the Jewish peoples, it symbolically designated the Pentateuch, the Five Books of Moses. To the followers of Pythagoras, it was called The Pentalpha, being composed of five interlaced As or ‘alphas’. The ancient Celts considered the five-pointed star to be a symbol of life and of the divine human. This ‘star of life’ became stigmatised as a sign of heretical thought and eventually as something evil. In more dangerous times to be caught in possession of a Pentacle could very well endanger life. Despite being over 8,000 years old, the Pentacle became the most famous symbol of witchcraft. The Pentacle is an image of an up-right five-pointed star drawn inside a circle with a single continuous line making the five points equally spaced. To a witch or magician it is symbolic of the mysteries of creation. Pentangles are used in rites and rituals for consecration, evocation, transformation and banishment.

Traditionally, each of the five angles has been attributed to the five metaphysical elements of the ancients. These provide the titles of the sections, which are to be played as one continuous movement.

1. EARTH (lower left hand corner) represents stability and physical endurance.
2. WIND (upper left hand corner) represents intelligence and the arts.
3. FIRE (lower right hand corner) represents courage and daring.
4. WATER (upper right hand corner) represents emotions and intuition.
5. QUINTESSENCE (at the topmost point) represents the All and the Divine spirit.

It is interesting to note that five-fold symmetries are rarely found in non-organic life forms but are uniquely inherent to life, as in the form of the human hand, a starfish, flowers, plants and many other living things. This pattern of five exists even down to a molecular level. Five, therefore, embodies the form and formation of life and the very essence of life and is reflected in the way the piece has been composed. There are many uses of the number 5 in the composition, some more obvious than others. Quintuplet and other combination rhythms based around 5 are used frequently throughout the piece. Much of the harmony is based on the motifs being a fifth or combined fifths apart. There are five sections to the piece and many of the phrases are 5 bars in length. Each movement follows each other based around a harmonic cycle of fifths and has a time signature based on each of the numbers one to five. Bi-tonal melodies and harmonies that rapidly shift between major and minor scales and triads, are used extensively throughout the piece. This gives the music an ambiguity of tone, time and place - echoing the use of the Pentacle across the many factions of history.

Pentacle was conceived as a brass band ‘test piece’, but I have interpreted the conventions of that genre in my own stylistic terms: for example, the passages using pulsating poly-rhythms, certain scalic combinations and tone painting — such as the twisting figures heard in the movement Wind, the rippling of the movement Water and the flutter tonguing in the fire section. Whilst certain sections of the piece are highly dissonant and use irregular beat groupings and layers (the chaotic, semi-aleatoric climax in F/re for instance), I have also brought a strong lyrical element to the slow sections and have included the traditional “big finish”.

PERCUSSON REQUDREMENTS FOR PENTACLE
Timpani (3)
percussion (2 players)

Player 1: glockensplel, xylophone, mark tree, bongos, medium tam-tam (28)* ended cymbal cowbell
Player 2: snare drum, tenor drum, suspended cymbal, cowbell (fixed), vibraslap, whip.

*performance note: at bar 238 the composer asks for the tam-tarn to be bowed.
use a well-rosined double bass bow on the back-edge of the instrument.

Brass Band Grades 1 & 2: Novice and Learner bands.

Duration: 13 minutes.


Grade equivalents for Brass Band test-pieces where there is considerable overlap at the higher levels, depending on the level of competition (local, regional or national):

Grades 1 & 2: Novice and Learner Bands
Grade 3: Youth and 4th Section
Grade 4: Advanced Youth and 3rd Section
Grade 4/5: Premier Youth and 2nd Section
Grade 5: 1st Section
Grade 5/6: Championship and 1st Sections
Grade 6: Championship

   
   
   
MP3
Audio samples
1.Earth 1.Earth
2.Wind 2.Wind
3.Fire 3.Fire
4.Water 4.Water
5.Quintessence 5.Quintessence

JM48848PENTACLE - Score only

PENTACLE - Score only
Available £24.95

Category: TEST PIECES (Major Works)
Composer: Graham Cole

PERCEVAL - Parts & Score
Available £56.60

Category: TEST PIECES (Major Works)
Composer: Mario Burki

Grade  3.5
 
Duration  11:00
 
This publisher rates grade difficulty as follows:
 
1  = very easy
2  = easy
3  = medium
4  = difficult
5  = very difficult
MP3
Audio samples
Percival 1 Percival 1
Percival 2 Percival 2
Available £40.00

Categories: TEST PIECES (Major Works), LIGHT CONCERT MUSIC
Composer: Gustav Holst
Arranger: Peter Parkes

Previously used as a First Section Testpiece.

Duration 10.30

The publisher describes the difficulty of this piece as " Difficult".
MP3
Audio samples
Ballet from The Perfect Fool Ballet from The Perfect Fool
PERIHELION : CLOSER TO THE SUN, Parts & Score
Available £140.00

Category: TEST PIECES (Major Works)
Composer: Philip Sparke

Grade 6
Duration 19:10

Own-choice test piece played in Oslo by 2013 European Champions, Cory Band.

Perihelion was commissioned by the Cory Band as their own-choice piece for the 2013 European Brass Band Championships, held in Oslo, Norway. Winning the set piece section of the contest and coming second to Eikanger-Bjorsvik Musikklag with their own choice selection, Cory went on to become European Champions for the fifth time.Cory MD Philip Harper had asked for a ‘Concerto for Band’ to fully exploit his outstanding band of virtuosi, and composer Philip Sparke created a one-movement work with contiguous sections, first featuring horns and flugel, then trombones followed by cornets and a slower central section for percussion and baritones, euphonium and basses.The piece is abstract in nature, without a specific programme, and the title merely reflects the fact that the piece was begun on January 2nd 2013, the day of Earth’s perihelion - the point in its orbit when it is closest to the sun. It could also be argued that the piece weaves between moments of brilliant optimism and dark shadow, both of which can be the result of bright sunshine.
MP3
Audio samples
Perihelion pt 2 Perihelion pt 2
Perihelion pt 1 Perihelion pt 1
PERIHELION: CLOSER TO THE SUN - Score only
Available £32.50

Category: TEST PIECES (Major Works)
Composer: Philip Sparke

Duration: 19:15



PETERLOO OVERTURE Op.97 - Parts & Score
Available £69.95

Category: TEST PIECES (Major Works)
Composer: Malcolm Arnold
Arranger: Andrew Duncan

Peterloo is the derisive name given to an incident that happened on16th August 1819 in St Peter’s Fields, Manchester, when an orderly crowd of some 80,000 people met to hear a speech on political reform. On the orders of the magistrates they were interrupted by the Yeomanry, who attempted to seize the banners they carried, and to arrest their speaker, Henry Hunt. Cavalry was sent in, and eleven people were killed and four hundred injured in the ensuing panic.This overture attempts to portray these happenings.

Brass Band Grade 5: 1st Section.

This arrangement won the "Best New Arrangement" award at the 1997 Spennymoor Brass in Concert Championships.
Duration 7.28

You can listen to an extract and view an image of the Solo Cornet part of this work on this website.

If you enjoyed listening to this extract, you can buy the full recording of this work on the CD section of our site by clicking here

If you want to perform this work with your band, you can of course purchase the score and parts here right now, by clicking on "BUY NOW".


Grade equivalents for Brass Band test-pieces where there is considerable overlap at the higher levels, depending on the level of competition (local, regional or national):

Grades 1 & 2: Novice and Learner Bands
Grade 3: Youth and 4th Section
Grade 4: Advanced Youth and 3rd Section
Grade 4/5: Premier Youth and 2nd Section
Grade 5: 1st Section
Grade 5/6: Championship and 1st Sections
Grade 6: Championship

   
   
   
MP3
Audio samples
Peterloo Overture Peterloo Overture
PETITE SUITE DE BALLET - Parts & Score
Available £44.95

Category: TEST PIECES (Major Works)
Composer: Eric Ball
Difficulty level: Fourth
Set as the 4th. Section Test Piece for the 2017 National Finals of the British Brass Band Championships.
Performance Duraton 8 minutes

A suite in four movements as follows 

01. PARADE - Allegro (  crotchet = 120 )
02. PAS SEUL - Allegro moderato ma con rubato  ( crotchet = 108 )
03. MENUET - Moderato ( crotchet = 108 ) 
04. ENSEMBLE - Poco Allegro ( crotchet = 108 )


There are 1887 items. Page 62 of 95 62

Can't find what you're looking for?

If you are unable to find the item you want on our website please call 01355 245674 (international +44 1355 245674) or email sales@justmusicuk.com

Your cart

Cart is empty View Cart Checkout Wishlist

Authentication

Register Lost password?

Brass Band FAQ